Chapter 2 Down and out
The stairs were dark and damp, but just like Bellonda had said on the twentysecond step Claire found a leather bag and an iron-clad oil lamp. She searched the bag for the tinderbox, lit the lamp with it, and stuffed it back. Then she swung the bag over her shoulder and lifted the lamp high.
A surprising calm had come over her. All thoughts of panic for her present situation, or sadness because shed most likely never see Bellonda again, had just been pushed to the background by a great urge to act as seemed best. She had not often experienced this state of mind, but had to admit she kind of liked it. She was focused, clear-minded, and ready for anything.
After what seemed an age of carefully descending the stairs, she reached the bottom and in the faint light of her lamp saw the door. She looked at it closely, figured out how to open it, then doused her lamp and put it into the bag. Slowly and carefully, with as little sound as possible, she pushed to open the door a little and peered through the crack. It was dark outside, only a little lighter than it had been on the secret stairs. As she didnt see nor hear anyone close, she opened the door a little further and sneaked through. Pressing against the cold stone of the tower she had just descended, she silently closed the secret door again; it fitted perfectly in the stone wall.
She took a few moments to rest and clear her head, then looked around again for human presence. She heard the faint clamour of fighting in the tower she was leaning against, but that was all; it seemed the force of villagers had not been as huge as Bellonda in her fear had believed. Maybe they even had a chance to drive them off, but that was of later concern. As Claire didnt see anyone near, she looked forward. She saw the darker outline of the lumberjacks shed perched against the wall on the other side of a broad causeway. Taking a deep breath, she pushed away from the tower and darted straight for the shadows of the opposite wall.
She dove into the pitch-black shadows of the hut, fell down to her knees and waited, breath held. For almost two minutes she sat unmoving, without making a sound, waiting for the shouts of alarm of peasants who had seen her; but none came. After a while she stood silently, still all muscles at the ready. As there still came no sound, she sneaked to the wall and started feeling around for the secret door in the wall. She closed her eyes while doing so; she couldnt see anything in the dark shadows even with her eyes open, and closing her eyes helped her concentrate. Suddenly she felt a tiny fissure in the wall; it ran vertically from the ground up to four feet high, then suddenly stopped. Claire smiled a little as she felt around and noticed an indent in the rock, almost like a door handle.
She tried to pull the door open, but it didnt even move. She tried with two hands, putting as much strength behind it as she dared, but nothing moved. She kept trying for a few minutes, then remembered the secret door at the base of the tower wall. She grinned to herself and tried push the door instead of pull it. It grinded a little at the base, but open it went. Claire looked around one last time, to the castle she had grown up in, then slipped through the door and pushed it closed again. This one, too, blended in with the stone wall perfectly, but Claire had no time to wonder who had prepared such secret doors. She looked ahead: the Western Wood was over six miles away and she had no idea when or where she would meet the nobles Bellonda had spoken of. She took a deep breath, shouldered her bag a little higher, and started walking.
About an hour later, Claire met her first serious obstacle: a river. She had of course known it was there, she would swim in it when Bellonda would allow or was looking the other way but just hadnt thought of it being under constant worry. Now, at night, with only one set of clothes she wouldnt dare to swim across. She hesitated, looked upstream and downstream for a bridge but saw none. Then a deep voice sounded from somewhere close by and made her jump two full feet into the air.
















Devious Comments
The beginning of this chapter confused me, but I figured out why after thinking about it for a few minutes, its the wording "well enough" makes it sound like the stairs were well.. as in not ill. It might make more sense to tie it back to the directions she had been giving by saying something like "in keeping with what Bellonda had said".
Furthermore instead of beginning with "she" remind the readers of your characters name again right away in the second chapter.
Next I'd just like to say that depending on your audience, "snuck" might be a more popular choice than "sneaked" (at least if you're audience is North American, but I guess its probably not since I don't think you are North American, but anyway it's just a point of interest I guess).
Later on the in the chapter as well, I'd like to see her encounter with the river in a separate paragraph, just because it signals to the reader that something is changing, so she's not still just walking on.
Other than that I still like the story for sure, and I can't wait to keep reading it as long as you keep writing it!
OH yeah! I forgot one other thing.. by either the end of the first, or at the very least the second chapter, the reader should have clear mental image of the main character, which I don't seem to have. Maybe in the first chapter you can add a few more details about her physical appearance? But other than that I think her personality is very well developed! Good job!
Sorry for the lengthy comment
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~Alanna
Just kidding xD
Loved it :]
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Kiya: Actress, Artist, Photographer, Writer. Nuerotic, Random, Lovable.
"Be who you are and say what you feel, because those who mind don't matter and those who matter don't mind."
-Dr. Seuss.
Proud member of: *dapride
:]
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Ending a sentence with a preposition is something up with which I will not put.
- Winston Churchill
you're right about that first line, both about 'well enough' not being a very good choice and about starting with 'she'. I'll get to that.
and you're right I'm not North American but maybe I actually like 'snuck' better than 'sneaked'... though it makes the whole thing sound American
and err, she actually *does* encounter the river in a seperate paragraph (or the word '
and you're correct as well on your last point, to really tie the reader to the main character they are going to want to know what she's like, so to speak. However the two chapters combined are only just over 1,500 words; which is not nearly the length of an avarage (fantasy) book chapter. so even though I'm already at the end of the second chapter (because a lot of people are a little discouraged when they see such a huge piece of text) in a 'real' book this part would make up about the first half of the first chapter. There's a lot of speed in the story, maybe more than is good for fantasy but I it the way it is.
Thank you very much for the comment!
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"Asking me to kill myself is *not* considered constructive criticism."
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"Asking me to kill myself is *not* considered constructive criticism."
it's not really "anywhere, anytime", but for now it is. I'll have it all explained
thanks so much for your lovely comment
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"Asking me to kill myself is *not* considered constructive criticism."
Also, it is great that your story is based off of a real time period because I find stories that are not terribly confusing
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Ending a sentence with a preposition is something up with which I will not put.
- Winston Churchill
and well.., the story isn't really based on a single period in time, more like elements from several periods, plus a few elements from other (fantasy) writers. I don't think it'll be confusing
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"Asking me to kill myself is *not* considered constructive criticism."
And I must be blind about the new paragraph for the river lol it's just hard to see I guess because you didn't indent, but I see it now!
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~Alanna
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"Asking me to kill myself is *not* considered constructive criticism."
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